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Gender Performance, Athletic Events, Costuming, and Editorial Decisions

I metaphorically unfolded my copy of the Los Angeles Times this morning and was immediately struck by this image:

Four women in tutus and tank tops holding hands and raising their arms in the air. They are slogging through mud on a race course and wearing big numbers on their chests, marking them as competitors. To the right of the image, a cutoff fifth figure can be seen. The figure seems to be a man in a tutu, although it's a bit hard to tell because we can't see much of him.

(Photo by Irfan Khan for the Los Angeles Times)

The picture is from the World Famous Mud Run, an annual event at Camp Pendleton where civilians are invited to run on a Marine obstacle course. Judging from the people I saw in costumes in the photo set accompanying the article, it looks a lot like San Francisco’s (in)famous Bay to Breakers; a mix of serious competitors and people having fun, folks dressing up in silly costumes and people in running gear, cheering bystanders, and, in this case, a whole lot of mud.

Here’s a picture from the Bay to Breakers—evidently tutus are a bit of a theme:

a person in a short red tutu, a blue t-shirt, and red suspenders, competing in the Bay to Breakers

(Photo by Flickr user M. Skaffari, Creative Commons license)

There are all kinds of fascinating things going on in these images. The tutu is kind of a troped image associated with performances of femininity and ‘grace.’ We don’t expect to see a staple of the ballet stage covered in mud and froth, or to see a woman in running shoes completing a marathon with a frilly tutu bouncing above her knees. These women have at least moderately athletic bodies, especially the woman on the far right in the Mud Run image, who appears to have pretty toned legs. I kind of love that these women are reversing the Serious Female Athlete image you usually see in competition; here’s Teyba Erkesso competing in the Boston Marathon for contrast:

Competitor Teyba Erkesso in the Boston Marathon. She is a Black woman wearing athletic shorts and a tank top and is near the end of the course, sweating heavily.

(Photo by Flickr user hbp_pix, Creative Commons license)

Now, obviously, there are really good reasons to wear athletic clothes when you are competing in marathons and other athletic events. There’s a reason athletes wear that stuff, and it’s not just because all the other athletes are doing it.

That doesn’t mean I can’t appreciate, on a certain level, the sight of ladies having fun in the mud in tutus. It feels tongue in cheek to me in a way that I find rather delicious; I’m really interested in costuming and uniforms right now, in the sense of what clothing is appropriate to different situations and how people use clothing for performance, and so I’m intrigued by this image that clashes stereotypical femininity with athleticism. Especially since gender performance is often criticised for its impracticality; many women, for example, are uncomfortable in heels, or find ‘appropriate business attire’ restrictive and unpleasant to wear. Here, women are choosing to wear impractical garments that are not appropriate for the setting, subverting the norm even as they have bodies that are ‘allowed’ to do this; they are slim and athletic. If there was a team of fat runners wearing tutus in this competition, the Times chose not to include them in this photo set. Layers upon layers are going on here.

We see this happening with Halloween, too, where people feel a license to costume as something other than themselves, but there are also Rules about who is allowed to wear what, and in what setting. The same rules are very much in play with these images. Subvert the dominant narrative, but not too much, ladies! How subversive is it if there are unspoken limits in play, certain types of bodies that are allowed to do this while others are not?

What I found especially interesting about this image, though, is what we don’t see.

Who is that figure just to the right who is partially cut off? It almost looks like a man wearing a tutu. The person is clearly with the women, because ou arms are raised with the last runner we can fully see. Yet, either the photographer composed the photo to cut that person out, or the photo was cropped later by the photographer or an editor. Believe me, that decision was not unintentional. The Times undoubtedly had multiple photographers stationed along the route with high speed film, with hundreds of pictures to choose from, including probably multiple pictures of this group of runners. It’s not like they were struggling to find pictures to include in this article and said ‘well, someone’s kind of cut off in this picture, but I guess we can use it.’ There’s a reason that person is partially cut out of this image, why the photographer didn’t go just a tad wider to show the whole row of runners together.

Why?

Is it because slim women in tutus running is ‘fun’ and men in tutus is a scary challenge to gender boundaries? Because that runner isn’t obeying the Rules?

What I See and What I Don’t

Found via Think Progress, a video of an Associated Press reporter diving in oiled Gulf waters and living to tell the tale.

I think that there are some really interesting things going on with this video, and they spark a lot of thoughts for me. I can’t help but think about the power of broadcast media here. The media is bringing us these horrific and grim images of oiled birds, satellite photos showing the oil spill from space, and now, these visions of an underwater nightmare with water so clotted with oil that it’s hard to find the surface. The media has also brought us so many iconic images that have spurred people into action or infuriation, not just in the case of the Deepwater Horizon disaster, but in countless instances.

Photo and video reporting has ended wars and sparked riots and everything in between.

That iconic image by Kevin Carter of a starving Sudanese toddler being stalked by a vulture. Coffins from Iraq and Afghanistan. Photos from Little Rock, the Twin Towers, Vietnam, Hiroshima. Neda Agha-Soltan. Images have tremendous power and the widespread availability of really compelling, stark, and sometimes terrifying imagery has made many things that were once abstract seem more immediate. There’s also a problematic history when it comes to the way that places outside the United States are framed for viewers and readers here, what kinds of images we are shown; The Sudan is starving children and lions, India is saris and The Ganges, Brazil is bikinis and favelas.

Images motivate people to do things. They fire up deep rage, horror, compassion. If we were not looking at photos and videos of the spill in the Gulf of Mexico, it would seem more remote and distant, less like something that is actually happening. Instead we are confronted with them everywhere we turn.

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“Cougars” out, “Sugardaddies” in

Google has made the decision to block ads for “cougar” dating sites, which advertise the ability to set up older women with younger men. If Google were taking a stand against quasi-pedophiliac advertising (if that’s what the cougar ads even were), that would be fine. But they still allow ads for “sugardaddy” websites, which set up older men with “sugarbabies.” The problem seems to be with older women behaving in a “predatory” manner. It’s ok if older men want to exchange money and gifts for sex with younger women, but women wanting to have sex with younger men for the sake of mutual pleasure? Family-un-friendly!

I Should Stop Reading News Sites…

Today, I had some time to read the news and got so excited, because I’m a nerd like that. Sadly, the first three articles I read annoyed me so much that not only did I stop reading, but I also felt compelled to share them with you.

Hooking Up for Sex: Sluts or New Feminists?
The title alone should have made me stay away, but I took the plunge. I was so annoyed, I wanted to pull my hair out. 1) Please, let’s stop talking to slut shamers, yes? 2) Let’s also stop centering all these discussions on women. 3) Can more of these pieces be about societal expectations, sexual repression, etc.? 4) No, seriously, are we really still talking about this?!

Newsweek Still Wages Gender War, 40 Years Later
Okay, this article about women in journalism isn’t actually bad, except this really confused me:

On the 40th anniversary of the revolt, much has changed for women, who have since forged sexual freedoms and broken glass ceilings in political life and in the workplace.

What the hell does sexual freedom have anything to do with glass ceilings, journalism, politics, etc.? Talk about out of place. In retrospect, it probably wouldn’t have bugged me as much if not for the article I read right before it and right after. Which brings me to the winner of the bunch…

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WAM! It Yourself

For those of you who don’t know, WAM! is having a WAM! It Yourself weekend from March 25-28 in Boston, Chicago, D.C., Los Angeles, New York City and San Antonio. Check out the festivities here.

Here in NYC, there’s a benefit concert on Thursday, a happy hour on Friday, and a mini-conference on Saturday. The concert is a sliding scale donation of $5 to $10 and features Hunter Valentine, Toi Toi Toi, Rad Pony and DJ Hottmomz. The mini-conference is $12 and topics include getting published, personal finances, media training, and so forth. For those who can’t make it, I will likely be live-tweeting over at frausallybenz, assuming the internet/WiFi/phone reception is good and my batteries don’t die.

Hope to see some of you there!

I think I can taste some misogyny in this water.

There’s an ad I spend a lot of time glaring at on my commute. It’s a masterful piece of misogyny on the part of bottled water company Pump Australia. I snapped a photo, so you can take part in the pain, too!

Image description in post

Sorry, the lighting obscures the image somewhat. Here’s a larger version. It’s set on the roof of a tall building on a rainy night. At the top it says ‘Big to do list?’ In the background is a figure swinging out of a helicopter onto a wire. There’s a big glowing ticked checkbox, as though on a to do list, next to the figure. The figure appears again along the wire, about to head into a building to the back left of the image. Again, a ticked checkbox. There are people partying inside the building; presumably the figure has been inside there, too, because there’s another ticked checkbox. On our rooftop, there’s what’s presumably the figure’s hand, angled as though from our perspective, holding a water bottle and squirting water out. In front of him/us, there’s a woman in high heels and a white dress. She’s gesturing at him/us, with legs somewhat angled as her skirt flares around her. There’s a big glowing unchecked box next to her.

And just in case you didn’t get the message with the big phallic water bottle squirting, uh, water, at the bottom there’s a message advising you to search ‘stay pumped’. (I wouldn’t bother, nothing relevant comes up when you plug that in Google, which seems a bit bizarre seeing as there’s a huge marketing campaign around that search term.)

Could they have tried any harder with the clingy white dress in the rain and the male gaze and the – no, I think not.

Bonus misogyny! There’s another ad that I wasn’t able to get a picture of that works in a similar vein, except with a naked woman seen from the back who is jumping into water. If anyone can snap a photo for us and send it in, I’d appreciate it!

Naïveté and Submission

A French anti-smoking ad compares smoking to oral sex, with the slogan “To smoke is to be a slave to tobacco.” The New York Times describes the visuals of the ads thusly:

The slogan is bland enough: “To smoke is to be a slave to tobacco.” But it accompanies photos of an older man, his torso seen from the side, pushing down on the head of a teenaged girl with a cigarette in her mouth. Her eyes are at belt level, glancing upwards fearfully. The cigarette appears to emerge from the dress trousers of the adult.

The image is here if you want to take a look. And it’s… ick.

The vice-president of the advertising firm that created the ad says it intends to portray smoking as “an act of naïveté and submission.” Which is apparently what oral sex is? Complicating the issue is that the teenager with the cigarette in his/her mouth looks scared; the person with the cigarette in their pants has a hand on the teenager’s head, and the whole situation looks more like abuse than sex (or naivete or submission, for that matter).

I’m with the French feminist who commented that “what is most shocking [about this ad] is the banalization of sexual violence,” and that “It’s a poverty of imagination. When people have no ideas they use female bodies.”